分类:机构资讯

艺象万千国际艺术名家大展作品征集

艺象万千国际艺术名家大展

作品征集

日本 NPO 法人艺象万千文化教育学院主办

东京都美术馆、京都市美术馆、大阪市立美术馆举办各一档展览

展览档期安排


(一)大阪市立美术馆—第四展示厅

➢展期:2022年3月8日(二)-3月13日(日)

➢地址:大阪市天王四区茶臼山町1-82

(二)京都市美术馆

➢展期:2022年3月22日(二)-3月27日(日)

➢地址:京都市左京区冈崎最胜寺町13冈崎公园内

(三)东京都美术馆—ギャラリ-B

➢展期:2022年2月20日(日)-2月27日(日)

➢地址:东京都台东区上也公园8-36

本档期大会已受理举办袁金塔当代美术馆【袁金塔馆长个展】(征集已终止)

展览征集作品规格(须经大会审核):


➢西画:油画、水彩皆可,每件30号以内

➢水墨(含书法):每件3-5才

➢雕塑、陶艺:长宽限60cm以内(如需租用台座,费用另计)

展览费用:


艺术家可参展1-5件作品      单位:人民币
美术馆 第1件 第2件 第3件 第4件 第5件
东京都美术馆 9300 8370 7440 6510 5580
京都美术馆 8200 7380 6560 5740 4920
大阪美术馆 7000 6300 5600 4900 4200
注:同一名艺术家享第二件9折、第三件8折、第四件7折、第五件6折优惠。*运费自理

 *欧洲、日本等其他国家以报名汇款日之汇率计算

艺象万千负责内容:


➢大会负责展品在日本境内之运输安排。        

➢负责展品收讫及布、撤展。

➢展览同步于艺象万千网络展览馆展出、销售。

➢媒体宣传:分别于日本、台湾、中国大陆做媒体宣传。

   例:大陆有艺术类网站及自媒体平台…

报名方式:


➢邮箱:1590278315@qq.com   ➢微信:iweicang01

➢联系电话:010-87775234    ➢联系人:王女士、孙先生  

欢迎留言

 
 
 
 
 
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简志雄台东都兰山画院讲座:“艺术文化、创意分享 —新孔版画的製作”

艺象万千简志雄工作室应前台东大学艺术学院林永发院长之邀,前往都兰山画院讲座如何以新孔版製作卡片、年曆作为艺术文化的创意分享。
现任加拿大🇨🇦中华文化总会理事、儿童艺术文教基金会董事长的简志雄是艺术家更是艺术教育的推广者,数十年来致力于艺术创作与教育。由于喜爱版画之艺术生活化与乐于分享,70年代即加入日本新孔版协会,曾任该协会台湾分会会长并参加该协会的国际展获铜牌奖。80年代多次前往日本学习,发现素描新孔版画,以铅笔线描即可製版,快速印出分享,非常适合各年龄层教学、节庆活动与艺术家创作分享,特引进到台湾多年,目前由台湾翰轩文教开发推广。
本次都兰山画院艺文活动在11月21日(六)下午2:00-5:00于东海岸面临太平洋的潮音小筑邀办理,数十位台东艺文人士在山海涛声里共聚一堂,交流切磋,将是一场“创意无限、乐在分享”的艺术飨宴!

艺术生活化的“素描新孔版画”易于创作与分享- –
“港都启航”简志雄为世界儿童画展在温哥华巡迴展製作分享的作品

都兰山画院由前台东大学艺术学院林永发院长主持

DBC国际设计师专访

Everything has changed in 2020. The world has turned upside-down by a globe pandemic. What do we do? As a jeweller, what can we do in this ‘magic’ 2020?

 

2020年,一场全球性的流行病打乱了平静的生活。当一切开始回归正轨,一些国际首饰艺术家们用创作展现了他们对世界的看法,对未来的期望。

 

As curator and art director Herman Sun said ‘We are living in different areas around the world, but we do believe jewellery. I believe contemporary art jewellery sometimes was more than jewellery itself, it is a powerful spirit more than the objects.’ 

 

策展人兼艺术总监Herman Sun孙浩洋说:“我们生活在世界各地,但我们相信首饰艺术。我相信,当代艺术首饰有时不仅仅是首饰本身,它更多在于被寄托其中的精神力量。

 

 

Under this concept, we start this project. We invite contemporary jewellers around the world film their professional practice and edit into a documentary. The video will be showen during the Beijing Design Week 2020, which is also the 600 years’ birthday of Temple of Heaven (Est.1420) and the final stop of the Growth & Evolution International Jewellery Exhibition. (It also available on: www.dbc.red/)

 

在这个概念下,我们开始了这个项目。我们邀请世界各地的当代首饰艺术家拍摄他们的作品及其创作过程,并剪辑成纪录片。该视频将在2020年北京设计周期间的DBC国际设计师空间的媒体展厅播放展示。

 

Participating artists are the following:

参展艺术家:

Mabel Pena

Maja Houtman

Agnès WO

Into Niilo

Nadejda Policarpova

Supavee Sirinkraporn

Khajornsak Nakpan

Daniel Von Weinberger

Tamara Zecevic

Agostina Laurenzano

Lodie Kardouss

Mette Olsen & Tinne Delfs

Mohsen Amini

Wiebke Pandikow

Qianwen Lu

Fabiana Gadano

Isabelle Carpentier

Juanjo García Martín

 

“My Way” — Daniel Von Wein berger

 

Mabel Pena rowing along the Tigre River Delta

 

“Jewelry art from recycled plastic bags” — Wiebke Pandikow

 

A documentary about contemporary jewellery broadcasts to the public is unprecedented in China. And yet every video we receive is a unique and complete project from all talents. It puts a lot of pressure on me as the producer to bring all them together in a single film. 

向公众放映一部关于当代艺术首饰的纪录片,这在中国是前所未有的。我们收到的每一个视频都是来自国际当代艺术首饰界出色人才的独一无二的高完成度的作品。作为制片人,要把所有这些元素都集中在一部影片里,这给了我很大的压力。

 

Instead of just showcasing the work itself I concentrate on revealing the practicing process from the very beginning. I hope it can make a better understanding of what is contemporary art jewellery for our audiences. I also invite a young music talent(Chuan Luo) create this water like music for this project.

我着力于从作品最初的形态揭示它的创作过程,而不仅仅是展示作品本身。我希望这部纪录片能让我们的观众更好地了解什么是当代艺术首饰。为此,我还邀请了一位年轻的音乐天才(Chuan Luo)为这个项目创作了这首行云流水般的配乐。

 

Every project starts from somewhere. It may be meandering in an anonymous alley or a rowing experience along the river delta. From tides to trees, from rock to metal, artists extract fragments of memory and cutting into the new jewels to be seen.

每一件作品都来自一个灵感的火花。它可能迸发于在一条无名小巷中漫步时,或者是在三角洲划船时。从潮汐到树木,从岩石到金属,艺术家们提取记忆的碎片,切割成富有新意的首饰供人欣赏。

 

There are pearls made from books, rocks created by chemistry formula, necklaces comprehend with the human body, they are voices from every artist. Their voices for the hope and future.

有由书本制成的珍珠,由化学公式合成的石头,由模拟的人体部件组成的项链,这些都是来自艺术家们的声音,表达了他们对未来的期待。

 

—— Producer 解隽

 

biodegradable brooch by Agostina Laurenzano

 

book make pearl necklaces by Mette Olsen & Tinne Delfs

 

performing arts and jewelry by Lodie Kardouss

 

“The theme ‘Hope & Future’ is as old as humanity. It immediately reminded me of Pandora’s box, her curiosity let disasters escape and spread over the earth, but hope remains in the box. My brooch grew in my hands, branching gently outward and billowing back in, curious about the future of the world.”

“ ‘希望与未来’的主题和人类历史一样古老。这让我立刻想到了潘多拉的盒子,她的好奇心使灾难在地球上肆虐,但盒子里还藏着希望。我的胸针在我的手中长大,轻轻地向外分支,然后又向内翻腾,对世界的未来充满好奇。”

 

——Maja Houtman

 

“Hope” — Maja Houtman

 

“ ‘Anattata’ means everything is non-existent, like the two sides of the Möbius strip, but there actually is no separation; ‘hope’ and ‘future’ are not distinct and together form our beings.”

“ ‘Anattata’是‘不存在’的意思,就像莫比乌斯环的两边一样,但实际上并没有分离;‘希望’和‘未来’并不是泾渭分明的,它们共同构成了我们的存在。”

 

——Supavee Sirinkraporn

 

drawing by Supavee Sirinkraporn

 

“ The reason I’m in love with contemporary art jewellery is that it’s jewellery but also more than just jewellery. A small decoration on the body but contain strong power, special meaning and unique story. ”

“ 我喜欢当代艺术首饰的原因在于,作为首饰,它不仅仅是装饰品。一件佩戴在身上的当代艺术首饰蕴含着强大的力量、特殊的意义和独特的故事。”

 

“The use of transformed PET (polyethylene terephthalate) into jewelry pieces is an attempt to reflect on current values concerning environmental care and the consequent quality of life.”

“ 我使用回收再造的PET制作首饰,是出于‘对当前的环境保护就是在提升未来的生活质量’的观点的反思与尝试。

 

—— Fabiana Gadano 

 

Fabiana Gadano  in her studio

 

“For me, making contemporary jewelry is like a small liberation, it is taking out all those demons that one carries inside, because throughout our experiences, because life is not wonderful, life really is a feeling, a walk, you can feel life , feel death, feel joy, sadness, generate inner peace, for me it is a way to get those emotions or energy and transform it into forms of contemporary jewelry pieces.”

“ 对我来说,制作当代首饰的过程就像一次自我释放,放出人类本性中隐藏的小恶魔。因为我们经历的日常生活并不完美,人生就是一场体验,一趟旅程,我们在这之中感悟生命,感悟死亡,感受喜怒哀乐,最后获得内心的平静。对我来说,制作当代首饰就是一个将这些情感与能量物化的过程。”

 

—— Juanjo Garcia Martin

“Invented place” — Juanjo García Martín

 

“I try to manage the language of emptiness and fullness to put my pieces in tension and poise, to explore the relationship between object and scale. Working with scale, I adapt tectonic to human anatomy.”

“ 我试图驾驭虚与实的语言,让我的作品保持紧张与平衡,探索物体与比例之间的关系。我专注于研究作品的尺度,使其构造适应人体结构。”

 

—— AgnèsWO

work by AgnèsWO

 

“I use Soil as an Innovative Biomaterial to Create Neckpiece Inspiration from Thai Headdress.”

“我将土壤作为一种创新的生物材料,从泰式头饰中获得灵感,创作项链。”

 

——Khajornsak Nakpan

“Chada Din” — Khajornsak Nakpan

 

“I design my jewelry as sculptures without ever losing sight of the fact that they must have a connection with the body and that the person must move and live with them.”

“我以雕塑的形式设计我的首饰,我自始至终坚持首饰必须与身体具有密切的联系,必须在日常生活中可佩戴。”

——Isabelle Carpentier

Isabelle Carpentier a summer day at work

 

“This work is about self-love and self-acceptance. It’s a small research about being a human, an effort to accept and embrace it with all the vulnerability, fragility and imperfection.”

“这个作品是关于自爱和自我接受的。这是一个关于人性的小研究,努力去接受和拥抱人性的脆弱、脆弱和不完美。”

——Into Niilo

“Currents, featuring kinetic ring” — Into Niilo

 

 

Growth & Evolution exhibition and the Hope & Future project both been upgrade to DBC international designer space, a permanent showroom which will become a long-term venue for the Beijing design week. 

“Growth & Evolution(生长与进化)”展览和“Hope & Future(希望与未来)”项目都被DBC国际设计师空间收录,在2020北京设计周期间展示。

 

Every piece is an encounter, every story is waited to be found. We welcome all international artists become our member and to join our future activities. We are open for group exhibition, solo show and workshop etc.

每件作品都是一次相遇,每一个故事都等待着被发现。欢迎世界各地的艺术家加入DBC国际设计师空间,参与我们未来的活动,包括开放团体展览、个展及工作坊等。

(LOGO动图)

all host, organizer and co-organizer

所有主办、承办与协办单位

 

 

 

D B C,新设计,新生代,新理念

国际化的当代珠宝

设计资讯和活动平台

长按扫码关注

 

国际华人艺术教师夏日大连线

国际华人艺术教师夏日大连线

让艺术教育运用科技,突破时空、国界,

牵繫起大家的关注与交流!

世界华人美术教育协会(WCAEA)国际部为了服务遍布全球的华人美术教师,首次推出国际性质的暑期线上讲座,主题是:世界华人美育-国际多元对话 (Global Conversation of World Chinese Arts Education)。本讲属公益性质,全球同步

2020年6月27日(星期六)在多个国家不同时区同时进行

首先是透过ZOOM 的线上会议由主持人魏意雯 Host:Yiwen Wei引言:

「我们生活在一个全球互联的社会中,您是否好奇其他国家和地区的美术教育现状呢?世界华人美术教育协会国际部举办第一场夏季公益讲座,邀请到五位来自不同国家和地区的知名美术教育专家,代表他们的协会与机构,各自分享当地的美术教育现状,以及该协会与机构对当地艺术教育的贡献。」

同时介绍本次的讲座嘉宾. 接著由陈怡倩主席谈本会的历史源流始于前联合国教科文组织理事以及前国际艺术教育学会主席郭祯祥博士1998年在北京的国际会议发起创立海峡两岸美术教育交流会为本会之起步. 接著几位各国专家代表逐一报告有关各国艺术教育概况与特色:马来西亚少儿美术教育协会主席陈辉文老师提到:播种梦想中前行的推动本土艺术教育。

土耳其国家艺术教育协会(GORSED)韦达.奥斯威 博士DR. VEDAT OZSOY描述土耳其VAEA透过社交媒体与电视组织教育活动。

国际艺术教育协会亚洲区代表洪咏善博士谈艺术的在地性全球性与未来性并以美的觉醒来关怀生活情境。

中国社会美育联盟会员单位代表郭晟老师探讨社会美育和艺术创新,以美育、体育、艺术融通教育,尤其在家庭美育的推展.

菲律宾教育文化处主席罗伯特・海登二世 博士DR. ROBERT HAYDEN JR. 阐述:「

 ARTS艺术发展以协助菲律宾青年加强文化与科技的价值作为菲律宾教育体系的重要组成部分.」嘉宾报告后,留下时间作问题讨论,发言热烈,延后了一段时间才结束这场夏日大连线的分享交流活动。

预告下次主题为:七月:小学儿童美术教育Global Conversation: Elementary Arts Education

 

 

 

 

 

 

DBC国际设计师空间 | 金属与首饰艺术的多维乐章

新设计,是新锐前沿的创意,

展现未来国际珠宝设计风向标;

新生代,是精英的珠宝设计师,

汇聚时代发展的声音和力量;

新理念,是创新的空间交流模式,

搭建沟通和碰撞的桥梁。

    DBC国际设计师空间已入驻超过百位国际珠宝设计师和首饰艺术家,资历与创意纵贯大半个世纪,横跨30多个国家和地区。为了打破传统展览的空间限制,DBC与艺象万千国际网络展览馆全面合作,在全球超过50个合作网点和超过20家网络新闻媒体同步宣传,为会员设计师提供线上线下全面的展销服务。

    “新设计、新生代、新理念”DBC国际珠宝设计师作品展由红桥市场、长流当代美术馆、纽约牧风国际珠宝股份有限公司[NOOMAD INC]联合主办,长美艺术股份有限公司、北京爱微藏科技有限公司承办,十余家海内外艺术组织协办,联动北京国际设计周、中国国际珠宝展和艺象万千国际网络展览馆。作品设计风格具有当代性、国际性和多元化的特点,促成了东西方文化的交流与对话,无疑是一场珠宝设计盛宴。

    本栏目将持续推送入驻的优秀国际珠宝设计师和首饰艺术家作品,期待您的关注。

 01 

Andy Lowrie

美国

    擅于思考身体与建筑空间装饰的装饰关系;在制作过程中探索和体会材料的潜力;

Andy Lowrie is an artist thinking about adornment and decoration in relation to the body and architectural spaces. He makes sculptural and wearable objects, works on paper and paint based installations that disrupt existing sites. His practice began in Australia at the Queensland College of Art, Jewelry and Small Objects Studio, where he earned his Bachelor of Fine Art in 2011. He went on to co-found the contemporary jewelry studio, Bench, in 2012 before  relocating to the United States of America in 2016.

Andy is interested in contemporary expressions of craft that challenge hierarchies of material value and embrace a mindful exploitation of material and process. In acts of mark making, surface manipulation and erasure he explores the potential of process as metaphor. His work has been exhibited in Australia, China, Italy and North America and has been professionally recognized with awards from Brooklyn Metal Works in New York and My-Day By-Day Gallery in Rome. He is currently an MFA Candidate in the Craft/Material Studies department at Virginia Commonwealth University with an expected graduation date of May 2020.

– Statement –

As a world unto itself, the studio is a place of movement in much the same way as the world it exists inside of. It is a space where bodies move around, beside, into and through each other.  It contains the artists’ body, visiting and temporal bodies, material bodies and invisible bodies. Together and apart, they improvise an unending dance of production, performing in stops and starts, at changing paces, in action and reaction.

    工作室就像一个世界,有形的和无形的物质在之中不停运作——忙碌的艺术家、来往的参观者和不停流动的时间。表演一直在进行,人们不断地加入和离去,就像一场无休止的即兴舞剧,不断产生新的节奏,并作出行动和反应。

Cut, Bend #3 Brooch

胸针《裁剪与折叠 #3》

Brass, steel, enamel paint

黄铜、钢、釉质涂料

18.4 x 14.6 x 10.6cm, 102.8gm

As a place to begin, twisted scraps of paper are elevated from the studio floor to the bench, enacting a shift in definition from offcut to paper model. However, a beginning is a flawed description of process. This work is more suitably framed as a continuation, as it is derived    from previous making processes. With a new identity as paper models, the scraps are repositioned to describe the form another material will take. The unexpected paper form   dictates intention to hammer and brass. As paper, the forms contract and relax, whereas in brass, they are held in stasis. It is the decisive hands of the maker that influence how unyielding metal and impressionable paper will come together in response to the human body. The resultant forms are dressed in layers of color that hug tight to them like a skin and which are revealed in part by a cutting away.

    这一系列作品可以看作是传统工序的延续——从前,工匠用纸张定位金属的切割和塑形;但Andy的作品中,纸张被采用为材料的一部分,成为金属的皮肤,保留了美妙的层叠的颜色。

 

Cut, Bend #1 Brooch

胸针《裁剪与折叠 #1》

Brass, steel, enamel paint 

黄铜、钢、釉质涂料

9.5 x 9.8 x 2.8cm, 46.5gm

Cut, Bend is a series of brooches that is not about planning. It is work that drifts in unpredictable directions, fumbling over itself in search of a finality that it might never achieve. How am I to know when it is finished? Embedded in the making process is an embrace of the unfinished and a desire to see one body affecting another. Running parallel to each other, states of thinking, making and being hold permanence and impermanence together. These objects sympathise with our journey, as people, of negotiating life with each other. While the work has a strong material presence, it is really about gaining insight into the way we make ourselves.

    “Cut, Bend”这一系列胸针,抛却了严谨的规划,任由作品向不可预测的方向发展,摸索着寻找一个可能永远无法实现的最终目标。

    “我不知道它什么时候完成,但我享受制作的过程,拥抱未完成的状态,我的作品中保留了过程和结果。重要的不是物质存在,而是实现它的过程和方式。”

 02 

Miao He

中国

EDUCATION

M.F.A. Jewelry Design

SCAD- Savannah College of Art and Design. Savannah, GA, 2015-2019

B.A. Prpduct Design

BIFT – Beijing Institute of Fashion and Technology. Beijing, China. 2009-2013

EXHIBITION(2019)

American Craft Show, Baltimore, MD, USA, FEB 22-24

AUTOR Jewelry Fair, Bucharest, Romania, APR 20-2

Smithsonian Craft Show, Washinton, D. C. USA APR 25-28

Collectiva Meeting International Exhibition, Porto, Portugal, SEP 21-0CT3

Smithsonian Craft 2wear Show Washinton D.C. USA, OCT3-5

JOYA Art Jewellry objects, Barcelona, Spain, OCT 10-12

Philadephia Museum of Art Craft Show, Philadephia, PA, USA, Nov 8-10

“Paradox” M EA thesis Exhibition, Savannah, GA, USA. NOV 14-16

SCAD Jewelry Pop-up, New York, NY, USA, NOV 19-22

– Statement –

    “花开”系列胸针是我2017年的系列作品,灵感来源于之前的蒜皮珠宝。蒜皮作为厨余垃圾,通常被丢弃。但不妨碍它存在着独特的美感:轻薄,自然纵横的肌理,很像花瓣。这使我产生用蒜皮作为花瓣制作花朵的概念。然而蒜皮作为有机材料十分脆弱,不能作为珠宝形式永久存在。于是我用925银,通过锻造,去模仿蒜皮的厚度和自然肌理,才有了这系列“花开”纯银胸针。

This series of brooch is made by outside layer of garlic peel and sterling silver with the nitrocellulose enamel paint for coloring in the year of 2017. The inspiration is from my previous garlic set and uses natural material to show the unique beauty of the material itself. Garlic peel for me is fascinating because of its texture, thickness and organic look. Yet it is too fragile and it couldn’t be preserved long enough as a jewelry piece. Then I created a new collection of “garlic” pieces, and this brooch is part of that collection.

Bloom 03

12cm.12cm.6cm

Silver

    超薄的银花瓣是使用24ga厚度925银片制成。先将银片裁成较小的花瓣大小,多次动过压片机压薄。之后再用锤子分别锻造每一片花瓣,使每一片花瓣都具有自然的肌理,薄厚。花蕊部分,是纯银丝制成,之后再将每一片花瓣同花蕊焊接一体。然后将几片花瓣攒成一束小花瓣,整体焊接,最后一步将一束束小花瓣束焊接到底部。

The ultra-thin silver petals were constructed using a silver sheet of regular thickness. I put the first sheet through the roll mill many times until it reached the necessary thinness.  After that, each petal was forged separately by being cut in the required shape. The stamen part and petals were first soldered individually, then several were soldered together as a bunch. Finally, the bunch of petals was soldered to the base.

Bloom 02

16cm.15cm.7cm

Silver

    苗根据她的生活理念创作珠宝。她相信生活中的一切都会衰退:它受到时间的影响,并且会随着成长过程的一部分而改变和恶化。当事情不再原始时,所有腐朽的细节都留在表面上,并建立一种特殊的美学。

 Miao creates her jewelry based on her life philosophy. She believes that everything in the life decays: it is impacted by time and will change and deteriorate as part of the growing process. When things are no longer pristine, all the details of decay remain on the surface and build a special aesthetic. 

 03 

Taizen Wada

日本

– Statement –

    Taizen的职业生涯始于一家大型日本珍珠首饰公司,之后在东京成立了自己的工作室,设计和制作高端珠宝。

I am a Japanese artist who mainly makes jewellery works. My professional career started with a big Japanese pearl jewellery company. Then I established my own brand, had a studio showroom in the centre of Tokyo, and started to design, produce and sell mainly high-end jewellery.

    Taizen将剑饰与世界艺术史的精髓融入日本传统金属工艺,深入思考日本文化与工艺的关系;并于2017年进入皇家艺术学院深造,创作不局限于“珠宝”的作品。

On the other hand, I learned Japanese traditional metal craft techniques and made works. In addition, I began researching sword decoration by touching its history. That gave me the opportunity to study the history of art in the world and to think deeply about Japanese arts and crafts. Through this research, I understand that this also leads to the history of art in the world, and I entered the Royal College of Art in 2017 to create works as an artist that is not limited to jewellery. I have now mastered various expressions such as video, photos, Japanese calligraphy, painting, installation, etc., and reflected them in my work.

    “我希望有机会在制作过程中发现一种新的方法,而不是将部分制作成以前执行的设计。我想运用高超的技能、流程和技术,按照我的直觉(或内心眼光)来传达给别人。”

I would like to have an opportunity to discover a new approach during the process of making, rather than making the pieces to a previously executed design. And I would like to use great skills, processes, and techniques and act on my intuition (or inner vision) what I want to convey to others.

— 01 —  IROGANE Ring

silver, shakudo, mokume, black diamond, etc..

    IROGANE戒指是Taizen用金属画的画。框架中的每片金属都是手工制作的,Taizen将日本传统技艺与现代生产技术结合,表达他对传统技艺的敬意,也是他对新领域的挑战。是一件专注于工艺突破的作品。

IROGANE Ring is a painting an artist Taizen Wada draws with metal. Each metal in a frame is made by hand, which will make everyone fascinated. This technique is an advanced metal art technique that has been sticking since Wada started making jewellery. If it used only this technique, it would be considered to be ordinary traditional craftworks. However, Wada produces works with a totally different approach by using the jewellery production skill it has developed. This is strong, beautiful and elegant work with excellent union of Japan’s ancient and modern metal, refined and flowing details of a ring, and effective arrangement of the diamonds, which will give viewers thrill. It is the homage to the traditional technique transmitted from ancestors and the artist’s challenge to the new area where the craft is transformed into jewellery.

— 02 —  KOTONOHA Brooch

Brooch / german silver, laser engraving, Japanese hand engraving

In recent years I try to make a work with words and letter motifs using metal. I think a letter is the ultimate form of the physical expression reflecting one’s mind. I am interested in the design of the letter, which developed as a tool with the words that represent people’s feelings, and metal expression their presence. I have been using any possible technique in order to create jewellery with a letter for information and an emotional display.

    近年来,我试图用金属制作一个文字和字母图案的作品。我认为一个字母是反映一个人思想的物理表达的终极形式。我对这封信的设计很感兴趣,它发展为一种工具,用代表人们感情的词语来表达他们的存在。我一直在使用任何可能的技术,以创造珠宝与信的信息和情感显示。

In the Japanese language, its call “KOTONOHA” “KOTO” means “say” and “HA” means “leaves of the tree”. The Japanese kana (letters) and alphabet belong to a genre of the phonogram. However, these two letters developed a very different way. Letter shapes are architectural and have a strong constant regularity. In contrast, kana letters play like the flow of water lengthwise.

    在日语中,”KOTONOHA”的”KOTO”的意思是”说”;”HA”的意思是”树的叶子”。日本假名(字母)和字母属于声名的一种流派。然而,这两个字母的发展方式非常不同。字母形状是体系结构的,具有很强的常量规律性。相反,假名字母像流水一样长。

Small details and matte texture is only possible with laser printing. However, the result of hand engraving cannot achieve by laser printing. These are my just experiment. Alphabet and Japanese kana letters fuse in a contrasting element in the one world. This contrast of alphabet and kana letters, also between hand engraving and laser printing is what I would like to express in my work. 

只有激光打印才能同时实现微小的细节和哑光纹理。然而,手工雕刻的质感是激光打印无法实现的。这些只是我的实验。字母和日文假字母融合在一个世界中对比的元素。这种字母和假名字母的对比,也是手雕和激光打印之间的对比,是我想在我的作品中表达的。

— 03 —  The Infinity Black

Body Jewellery/ iron, Swarovski, magnet

I have been practicing Japanese metalsmithing techniques for over 20years. During my MA at the RCA, I have seen the ambiguity of the physical body and seen how it decays to the infinity. A heart that radiates infinite radiance, glass that is always fragile, iron with quietly decaying character. I believe material and the inherent story of its life should inform how techniques are applied and for what reason. ‘The Infinity Black’, is based on several pieces of rusty iron I found at the Thames riverside in London. These pieces are hard to change after being aged by time. I have used Japanese techniques to induce colour to the rust. In Japan, black means infinity, and to me, the infinity swallows iron, birthing out of nothing and to return to nothing. I wish to present the moment of disappearing, that is the beauty of infinity black.

    我练习日本金属匠技术已有20多年了。在RCA的硕士期间,我看到了身体模糊性,看到了它是如何衰减到无穷大的。一颗散发无限光芒的心,总是脆弱的玻璃,铁与悄无声息的衰败性格。我相信物质及其生活的内在故事应该说明技术是如何被应用的,以及原因是什么。”无限黑”,是基于几块生锈的铁,我在伦敦泰晤士河畔发现。这些碎片在老了一段时间后很难改变。我用日本的技术来诱导颜色生锈。在日本,黑色意味着无穷大,对我来说,无穷大吞下铁,从无到有,什么都不要回来。我想呈现消失的时刻,这就是无限黑色的美丽。

 04 

陈明远

Mingyuan Chen

中国

1992年生

2015年毕业于中央美术学院获学士学位。

2015年获中央美术学院毕业设计一等奖。

2015年千里之行——中央美术学院毕业生优秀作品展。

2016年日本东京艺术大学工艺课雕金(首饰)专攻第一研究室研究生修了。

2017年北京国际首饰艺术展。

2018年五感觉醒青年设计师作品邀请展。

2018年《珍物展-2018春》国际金属工艺首饰展。

2018年日本宝饰协会《JJA JEWELLERY DESIGN AWARDS 2018》东京展。

2018年日本山梨县首饰博物馆展。

2018年《冰与火的集淬——现代金工与玻璃艺术展》。

2019年珍物首饰艺术画廊签约艺术家。

– 设计说明 –

作品名称:《川口之光》

材料:银/镀金/钢

说明:川口是我在日本曾生活过的地方,我把留在脑海里川口夜晚的光感制作成首饰,既作为记录的形式存在,亦为呈现首饰在光线下的金属之美。

《川口之光 6》

《川口之光 4》

《川口之光 3》

 05 

Erik Blomqvist

瑞典

Dalarna – Sweden – 1989

Educatation

2017 – 2020 Khio, Art and Crafts, Metal and Jewellery art. 

2016 – 2017 Leksands folkhögskola, Metal/Silversmi thing.

Exhibitions(2019)

Herdet, Gallery Seilduken, Group exhibition 31 okt – 3 nov. Oslo, Norway

Athens Jewelry  week, Ilias  Lalaounis  Jewelry  Museum, 22-27  May. Athens, Greece.

Gallery  Format,  Materialized,  a jewellery  project  by metal  and jewellery students at the art and craft department, khio. Sigurd Bronger Studenter, 17 January – 10 mars. Oslo, Norway.

– Statement –

I work with jewellery, mostly rings and my preferred materials are steel and silver. In my steel works I use traditional blacksmithing techniques when I explore the qualities of the material, I want to capture the power of the material, I want the wearer to feel it. When I make a ring, I have an idea about a direction or a shape i want to achieve but i let the material show the way

    我主要制作戒指,我喜欢的材料是钢和银。在我的作品中,我采用了传统的金工工艺去探索金属的质感。我想捕捉金属的力量感,让佩戴者感受它。在我制作戒指的时候,关于造型我有一个大概的方向,但更多的是顺应材料自身的呈现效果。

DBC国际设计师空间 – 当代珠宝设计&国际首饰艺术

DBC国际珠宝设计师空间

DBC International Designer Space

当代珠宝设计

Fashion Jewellery Design

国际首饰艺术

Contemporary Art Jewellery

DBC国际珠宝设计师作品展

DBC International Jewellery Design Exhibition

– – – 滑 动 开 启 – – –

    由红桥市场、长流当代美术馆、纽约牧风国际珠宝股份有限公司[NOOMAD INC]联合主办,长美艺术股份有限公司、北京爱微藏科技有限公司承办,十余家海内外艺术组织协办的“新设计、新生代、新理念”(DBC)国际珠宝设计师作品展,将于2020年9月22日至11月28日在红桥市场原创珠宝设计中心举办。
    本届DBC国际珠宝设计师作品展联动北京国际设计周、中国国际珠宝展和艺象万千国际网络展览馆,目前已经汇集来自35个国家和地区,150位国内外珠宝设计师的近800件设计作品。作品设计风格具有当代性、国际性和多元化的特点,促成了东西方文化的交流与对话,无疑是一场珠宝设计盛宴。

Sponsored by Hongqiao Pearl Market, NOOMAD INC and Changliu Contemporary Art Museum, undertaken by Changmei Art Co., Ltd. and Beijing Aiweicang Technology Co., Ltd. “New Design, New Brand, New Concept” DBC International Jewellery Design Project will be held at the Jewellery Design Center of Hongqiao Pearl Market from September 22 to November 28, 2020.

This year’s DBC International Jewellery Design Project is linked to Beijing Design Week, China International Jewellery Fair, and Yixiangwanqiang International Network Exhibition Hall. At present, nearly 800 pieces of 150 domestic and foreign jewellery designers from 35 countries and regions Design work. The design style of the works is contemporary, international and innovative, which has facilitated the cultural exchange between the Eastern and the Western, it is undoubtedly a feast of jewellery design.

D

New Design·新锐前沿设计创意

B

New Brand·精英珠宝设计师品牌

C

New Concept·创新空间交流模式

    展览作品有一些是来自国内外迅速崛起的新生代设计师的最新珠宝设计作品,展现了未来国际珠宝设计的风向标;而新展览模式为新锐珠宝设计师搭建了设计师与珠宝消费者、珠宝企业之间的桥梁,为设计师们创造了发展新模式。

Some of the jewellery works are created from the new generation designers who are rising domestic and abroad, showing the future of the international jewellery design; A new exhibition mode is created for jewellery designers, which build a bridge between designers, customers and jewellery companies through an effective combination of online and stores, creating a new D2C model for designers.

主办单位

THE ORGANISER & SPONSOR

HongQiao Pearl Market
红桥市场

    北京红桥市场有限责任公司从1979年成立至今伴随了我国改革开放的全过程,从原来的集贸市场发展成京城珍珠第一家,现有入住商家近500家,年客流量约300万人次,年销售额2亿元,在国内外享有很高的声誉,成功接待过120多个国家的首脑政要。近两年红桥市场随着转型升级,成立了原创珠宝设计中心,定制中心,体验中心,鉴定中心。今年为了给国内外珠宝设计师创造发展平台,又成立了珠宝设计师公共享空间,用线上新理念建立了多种配套组合经营机制。

Beijing HongQiao Pearl Market co. LTD was set up in 1979, it has witnessed the history of the reform and opening-up period of China. Nowadays, it has become the first place of pearl market in Beijing, owning nearly 300 stores, welcoming over 3 million guests, creating 200 million sales a year. It has also admitted over 120 heads and politicians form many countries, having a high reputation domestic and overseas.

With transformation and upgrading, HongQiao Pearl Market has set up sectors of jewellery design centre, jewellery customisation project, jewellery service centre and Gems identification centre. In addition, a shared office space for domestic and overseas jewellery artists has been established this year, offering professional models to cultivate new jewellery designer brands and support jewellery innovations.

NOOMAD INC

    NOOMAD INC是一家国际珠宝&艺术综合服务股份有限公司,总部位于美国纽约布鲁克林区,英国伦敦设有艺术设计交流服务处,中国上海设有珠宝产品业务分公司。公司致力于集聚国际精英珠宝设计师和艺术家,促进国际珠宝行业交流,推广新锐设计应用。运营范围涉及海外设计师品牌产品设计加工、国内配饰品牌产品海外推广、国际珠宝&艺术博览会对接承办、国际珠宝设计职业教育及国际多边贸易等综合服务。

NOOMAD INC is an international jewellery & art company located in Brooklyn, New York, United States. One of the jewellery&art gallery branch was set up in London, United Kingdom, and another jewellery design branch in Shanghai, China. The company is committed to organising international elite jewellery designers and artists, promoting international jewellery industry exchanges, and support innovative design and technology. The business involves multiple  services: designer brand promotion, product design, jewellery customisation, Gems-studio and metalwork factory, international jewellery & art fair organisation, international professional jewellery education and international multilateral trade.

    
Changliu contemporary art museum

长流当代美术馆

    “长流画廊”——1973年,长流机构第一家公司,长流画廊,首先创立于台湾台北。创办人黄承志先生,乃台湾着名前辈画家黄鸥波之子,本身亦为知名书画监定家级收藏家。黄承志以其对艺术精品独到品味,领导长流画廊从事收藏与代理经纪,藏品中以华人古今艺术最为丰富,尤有齐白石、吴冠中、徐悲鸿、张大千、溥心畲、黄君璧等大师级之珍贵作品。

    “长流当代美术馆 桃园馆”——为展示日益丰富的馆藏,长流当代美术馆桃园馆于2003年3月创立于桃园南崁,是为一文化宝库,亦是桃园市地方文化馆之一,举办各种主题展览、艺术教育课程、表演活动,为爱艺大众打造一个典雅的艺术休闲天地。近年更加强两岸文化交流及发展,并在中、日、新等海内外美术馆举行画展、学术研讨会、座谈会等。

Changliu contemporary art museum was first established in Taipei, Taiwan in 1973. The founder, Mr. Huang Chengzhi, is the son of Huang Oubo, a famous senior painter in Taiwan. He is also a well-known collector of painting and calligraphy. Huang Chengzhi leads Changliu contemporary art museum to engage in art collection and agency, the collection is rich in Chinese ancient and modern art, especially Qi Baishi, Wu Guanzhong, Xu Beihong, Zhang Daqian, Pu Xinshe and Huang Junbi .

To showcase the ever-increasing collection, Changliu Museum of Modern Art – Taoyuan Pavilion was founded in March 2003 in Nankan, Taoyuan. Various theme exhibitions, art education courses, and performance activities are held to create an elegant art and leisure world for the public. In recent years, it has strengthened cross-strait cultural exchanges and development, and held art exhibitions, academic seminars, and symposiums in art galleries in China, Japan, and Singapore.

承办单位

Co-organiser

Beijing Aiweicang Technology Co., Ltd.
北京爱微藏科技有限公司

    北京爱微藏科技有限公司,以新媒体为基础为各行业提供策划、运营执行、广告推广、电商变现的综合服务公司,是新浪微博人文艺术、收藏等领域MCN机构,并拥有该领域的自媒体账号矩阵,机构月曝光达到5亿,广告合作互联网媒体超6000家,同时运营央视频账号艺象万千。基于自身在新媒体领域的运营能力与传统行业相结合实现真正的互联网+,为传统行业赋能。已经在艺术、收藏、医疗、珠宝、家居、设计、远程教育等行业进行深入合作与创新,同时构建自媒体电商平台。爱微藏,为企业变现提供服务。

Beijing Aiweicang Technology Co., Ltd. is a comprehensive service company that provides business project, operation guidance, advertising promotion, and e-commerce monetisation for multiple industries based on new media. It is an MCN organisation in the fields of Sina Weibo, humanities, art, and collection. The self-media account matrix of the company has reached 500 million monthly exposures, more than 6,000 Internet media for advertising cooperation, and thousands of video accounts operated at the same time. Based on its own operational capabilities in the field of new media and the traditional industry to achieve a real mutual understanding network+, to empower the traditional industry. It has conducted in-depth cooperation and innovation in industries such as art, collection, medical, jewellery, home decorations and education. Aiweicang, a self-media e-commerce platform to provide services for the realisation of enterprises.

Changmei Art Co., Ltd.

长美艺术股份有限公司

    长美艺术股份有限公司由一群热爱艺术的专业顾问团队组成,资本額2000万台币。专精于国际艺文交流及展览策划,曾承办多场大型展览,如:2010年由行政院文建会指导的『渡海三家─张大千、溥心畬、黄君璧彩墨精华特展』;2011年『世纪之光─近现代华人西画名家精选』;中国油画学会『奇巧纵横─两岸四地画家画两岸』、中央美院『同道─中央美术学院教授联展』等大展,多次举办『艺术投资讲座』、促成台湾师范大学、中国油画院合作举行『学术研讨会』出版论文集等一列活动。随着艺术市场逐渐扩大,民众对于藏品鉴价、买卖交流等需求日增,经营文化艺术事业多年的长美艺术公司,与深耕艺术界45余年、信誉卓著、藏品丰富的长流美术馆合作,并联合中华爱艺协会、中华力扬国际文经交流协会、艺象万千艺文活动空间、艺气风发国际展览馆、美利王‧文创网等单位,共同建构优质交流平台,提供专业策展规划、艺术顾问咨询等服务。

Changmei Art Co., Ltd. is composed of a group of professional advisors who love art, with a capital of TWD 20 million. Specialising in international arts and cultural exchanges and exhibition planning, it has undertaken many large-scale exhibitions, such as: “Three Houses Crossing the Sea-Special Exhibition of Essences of Zhang Daqian, Pu Xinshe, and Huang Junbi in Ink by the Cultural Construction Association of the Executive Yuan in 2010; 2011 “Light of the Century-Selection of Famous Modern Western Chinese Painters”; Chinese Oil Painting Society, “Qiao Qiao Zong-Four Sides, Four Sides of Artists Painting Two Sides”, Central Academy of Fine Arts, “Tongdao-Central Academy of Fine Arts Professors Joint Exhibition” and other major exhibitions “Investment Lecture”, promote Taiwan Normal University, China Oil Painting Academy to hold a series of activities such as “Proceedings of Academic Symposium” publication. With the gradual expansion of the art market, the public’s demand for collection appraisal, sales and exchanges has increased. Changmei Art Company, which has been engaged in cultural arts for many years, has cooperated with Changliu Art Museum, which has been cultivating the art world for more than 45 years, has a good reputation, and has a rich collection. And unite with China Love Art Association, China Liyang International Cultural and Economic Exchange Association, Art Elephant Thousands of Art and Culture Event Space, Yiqi Fengfa International Exhibition Hall, Murray King ‧ Culture and Creative Network and other units to jointly build a high-quality exchange platform to provide Professional curatorial planning, art consultant consulting and other services.

协办单位

Linkage Project

杜泽林博物馆文化教育交流基地(法国)
沃兰博物馆文化教育交流基地(法国)

山东时光艺术之城

长流美术馆台北馆

成都诗婢家美术馆

袁金塔当代美术馆

都江堰市江南忆美术馆

红顶美术馆

艺气风发国际展览馆

台湾南开科技大学

泉州市鲤城区百宏教育培训中心

中华力扬国际文经交流协会

财团法人游守中文化基金会

北京语协青少儿语言发展教育专业委员会

台东县艺术人文三创协会

金万鸿国际集团

济南时报艺周刊

台湾艺流国际拍卖股份有限公司

台湾新光国际艺术拍卖股份有限公司

台湾花莲更生日报社

海南环球首映杂志社

SKY SUNLIGHT(日本)

成都澄书房图书有限公司

瑞典天鹅湖画廊暨茶空间(瑞典)

厦门北欧当代艺术中心

日本大阪如来会馆(日本)

日本天见温泉南天苑(日本)

明心陶房(日本)

台南有图氏艺术中心

温哥华简志雄艺术工作室(加拿大)

金永焕艺术空间(韩国)

南京青年站台

768艺术空间

博雅画廊

赤云轩艺术中心

四川涴花草堂

支持单位

Support Unit

联动项目

Linkage Project

Beijing Design Week
北京国际设计周

     由中华人民共和国文化和旅游部与北京市政府共同主办的北京国际设计周活动,创办于2009年10月,是北京市具有国际影响力的大型文化活动。

    北京国际设计周主体活动于每年9-10月在北京举办。活动由开幕活动、设计大奖、设计市场、智慧城市、设计人才、主宾城市和设计之旅七项主体内容组成,为国内外设计机构和人才提供常态化的展示、交流、交易的服务平台,打造服务公众的“展示周”、服务专业的“交流周”、服务产业的“交易周”。

    2019年起,北京国际设计周奖项正式命名为“北京设计奖”,包括经典设计奖、传统工艺设计奖和服务设计奖三大常设奖项。

The Beijing International Design Week, co-sponsored by the Ministry of Culture and Tourism of the People’s Republic of China and the Beijing Municipal Government, was founded in October 2009 as a large-scale cultural event with international influence in Beijing.

The main event of Beijing Design Week is held in Beijing from September to October every year. The event is composed of seven main contents: opening events, design awards, design markets, smart cities, design talents, guest cities and design trips. It provides a regular service platform for domestic and foreign design institutions and talents to display, communicate and trade. Create a “display week” for the public, a “communication week” for professional services, and a “trade week” for the service industry.

Since 2019, the Beijing Design Week awards have been officially named “Beijing Design Awards”, including three permanent awards: Classic Design Award, Traditional Craft Design Award and Service Design Award.

China International Jewellery Fair

中国国际珠宝展

    作为国内三大珠宝展之一的中国国际珠宝展,汇聚来自世界各地和国内各省市的珠宝制造商、批发商、零售商和加盟商,是珠宝品牌推广的舞台,是商贸洽谈、交易的最佳场所,更是珠宝企业家、设计师、鉴定师、业内专家、协会领导共话趋势、寻求合作与发展的平台。

    中国国际珠宝展是珠宝玉石首饰行业向社会展示行业面貌、流行趋势、企业实力的重要窗口,是树立企业整体形象、展示企业文化、战士企业实力的综合性舞台,使行业协会的影响力、凝聚力的综合展示。中国国际珠宝展已成为企业形象和 产品的平台、产品供销的贸易平台和国际交流与合作的信息平台,是具有国际影响力的行业盛会,吸引着来自世界20多个国家和地区珠宝商的极大关注。

As one of the three major jewellery exhibitions in China, China International Jewelry Fair brings together jewellery manufacturers, wholesalers, retailers and franchisees from all over the world and domestic provinces and cities. It is the stage for jewellery brand promotion and the most important for business negotiations and transactions. A superior platform for jewellery entrepreneurs, designers, appraisers, industry experts, and association leaders to talk about trends and seek cooperation and development.

China International Jewellery Fair is a significant event for jewellery brands and companies to show the professions, innovations, fashion trends, and business cooperations to the public. China International Jewellery Fair has become a platform for corporate image and products, a trading platform for product supply and marketing, and an information platform for international exchanges and cooperation. It is an industry event with international influence and attracts jewellers from more than 20 countries and regions in the world.

Yixiangwanqian

艺象万千

    「艺象万千文化教育交流平台」是由北京爱微藏科技有限公司、长美艺术股份有限公司、中华力扬国际文经交流协会、北京语协青少儿语言发展教育专业委员会联合发起,目前已于全球签约超过50个交流基地、中心、服务处,合作单位有博物馆、美术馆、大学、国企、上市公司、民间团体、私人企业等机构,分布于法国、日本、韩国、瑞典、加拿大、美国、中国(含港澳台)等地。

[Yixiangwanqian Cultural and Educational Exchange] is organised by Beijing Aiweizang Technology Co., Ltd., Changmei Art Co., Ltd., China Liyang International Literature and Economics Exchange Association, and Beijing Language Association – Young Children ’s Language Development Education Committee. The projects has signed more than 50 exchange bases, activity centres, and service offices around the world. The cooperative units include museums, art galleries, universities, state-owned enterprises, listed companies, private organisations, private companies and other institutions, distributed in France, Japan, South Korea, Sweden, Canada, The United States, China (including Hong Kong, Macao and Taiwan) and other places.

(艺象万千挂牌仪式)

(艺象万千合作伙伴)

主办方地址

Sponsor address

北京市东城区天坛路9号五层原创珠宝设计中心

Original jewelry design center, No. 9 Tiantan road, Dongcheng district, Beijing

详情咨询

More Information

DBC官方邮箱

dbc_info@yeah.net 

DBC官方网址

www.dbc.red

(点击文章底部“阅读原文”跳转)

联系电话

18710065822(孙先生)

010-87775234(张先生)

“日常剧场·城市马出没,请注意!”展览开幕

日常剧场·城市马出没请注意!”展览于61日下午在厦门北欧当代艺术中心隆重举办。作为2020年的迟来的开始为什么会选在这样一个特别的日子出发正像我们展览前言中所说再没什么比体验童年的纯真与缤纷的色彩更让人充满希望了展览起源的是来自瑞典的达拉木马”, 它承载了人类共有的情感思念表达和传承的艺术符号。寄托了思念、期许以及最温暖的希望正是如今我们所热切向往和期盼的。借此特殊的日子以此展览愿世界充满希望愿成人与孩子看见未来。

出席开幕式的嘉宾

瑞典驻华文化参赞 Ola Johansson 欧汉洵先生瑞典驻华文化新闻官员 Maja Boelke 马雅女士前厦门市副市长潘世建先生厦门美协主席、厦门大学艺术学院院长、参展艺术家张立平先生厦门市文化广电新闻出版局原巡视员、副局长、原文化部文化产业专家委员会专家许向明先生翔安区人大主任沈金德先生新店镇党委副书记 朱志远先生姚明集团董事长、厦大校友会会长姚明先生左洱文化董事长、个人IP策划师、闽培协厦门会长高兴女士。

「艺象万千文化教育交流活动」 红顶美术馆文化教育交流基地揭牌

2020年4月8日上午10时,「艺象万千文化教育交流活动」红顶美术馆文化教育交流基地揭牌仪式在厦门市红顶美术馆举行。中国美术家协会油画艺委会委员、中国国家画院油画院研究员、中国油画学会理事、福建美术家协会副主席、厦门大学艺术学院教授、博士生导师、红顶美术馆艺术总顾问张立平、厦门大学艺术学院常务副院长、福建省美术家协会雕塑艺委会主任吴荣华、中国美术家协会漆画艺委会主任、厦门大学艺术学院美术系主任陈金华、厦门大学艺术学院美术系副系主任杨寒松、中国美术家协会漆画艺委会副主任兼秘书长、红顶美术馆馆长汤志义、福建省美术家协会综合材料绘画艺委会副秘书长、福建省美术家协会漆画艺委会厦门交流中心主任陈亚源、厦门大学艺术学院教师李国亮、厦门大学艺术学院美术系行政秘书黄建芳等人出席活动,并为「艺象万千文化教育交流活动」红顶美术馆文化教育交流基地正式揭牌。

 

「艺象万千文化教育交流活动」由北京爱微藏科技有限公司、北京语协青少儿语言发展教育专业委员会、中华力扬国际文经交流协会、长美艺术股份有限公司共同创设,由全球三十几个国家的各大博物馆、美术馆、高等院校、上市企业等单位携手共同发起。并授权长美艺术股份有限公司董事长张雨晴项目在全球签署协议,艺术家游守中担任总召集人。「艺象万千文化教育交流活动」红顶美术馆文化教育交流基地揭牌后,红顶美术馆将继续致力于关注中国艺术及艺术家,通过各领域跨国界的文化艺术交流,推广和展示国内外优秀艺术家的风采,并透过「艺象万千文化教育交流活动」平台的互动力量,培养和发掘更具潜力的艺术家和艺术作品,进一步促进多领域艺术文化交流,与「艺象万千文化教育交流活动」并肩,一起推动经济文化发展。

「艺象万千」厦门·北欧当代艺术中心交流基地揭牌

2020年5月9日上午10时,「艺象万千」厦门·北欧当代艺术中心交流基地揭牌仪式在厦门·北欧当代艺术中心举行。中国美术家协会油画艺委会委员、中国国家画院油画院研究员、中国油画学会理事、福建美术家协会副主席、厦门市美术家协会主席、厦门大学艺术学院教授、博士生导师张立平,厦门大学艺术学院美术系副系主任、美术馆馆长杨寒松,厦门大学艺术学院教师李国亮,厦门大学艺术学院美术系行政秘书黄建芳,翔安区新店镇党委副书记朱志远,澳头海洋经济发展示范区综合部负责人翁莉萍,汇景集团总裁、厦门市侨商联合会常务副会长兼秘书长庄顺茂,澳头村史馆&玄象美学馆创始人伊玄,两岸创意文化产业人才联盟汉服诗歌专业委员会会长邹良能,北欧当代艺术中心馆长蓝兰,北欧当代艺术中心品牌运营总监吴晶,北欧中心团队及本土艺术家苏遥等数十人出席活动,并为「艺象万千」厦门·北欧当代艺术中心交流基地正式揭牌。厦门·北欧当代艺术中心「厦门大学艺术学院实践基地」揭牌仪式也于今日同时举行。

 

 

「艺象万千」是由北京爱微藏科技有限公司、北京语协青少儿语言发展教育专业委员会、中华力扬国际文经交流协会、长美艺术股份有限公司共同创设,由全球三十几个国家的各大博物馆、美术馆、高等院校、上市企业等单位携手共同发起,并授权长美艺术股份有限公司董事长张雨晴在全球签署协议。「艺象万千」目前在全球已搭建超过五十个交流基地及服务处,「艺象万千」的落地,旨在搭建立体的展示、推广、研究、交流平台,积极探索新的生态结构,致力网络营销及艺术产业化,包括招收会员授权,网红直播间开设,IMS宣传服务及艺术衍生品销售等服务,以更好地服务于在地文化建设。平台同时也致力于发掘国际上有潜质的青年艺术家、设计师,共同打造理想艺术生态,进一步推进国际文化交流与发展。

 厦门·北欧当代艺术中心坐落于厦门翔安澳头,中心总占地面积2300平方米。以“在地艺术全球化”为核心愿景,致力于全球语境下的本土链接。在厦门翔安区政府大力支持下,由国际文化交流践行者、往返于中国和北欧之间从事艺术文化交流和教育的瑞典籍华人艺术家、教授王彤先生和国际艺术策展人蓝兰女士共同发起和运营。 二十几年来,经由他们创立的艺术机构在北欧、北京、厦门、内蒙古等地已成功组织上百场国际性艺术展览和跨领域文化交流活动,充分发挥国际平台优势,为国内外当代艺术家创造广泛和深入的交流机会。

厦门·北欧当代艺术中心秉持原创、包容、多元、卓越的态度,整合国际文化资源实现高效配置,秉承丰富的专业策展经验及广泛的跨界人力资源,在此平台与国际人文求同存异、充分交流,与当地文脉共生共建、共享共荣。中心通过「北欧收藏展示」、「展览策划」、「艺术品交易」、「国际艺术家驻地」、「北欧名师课堂」、「北欧艺术之旅」、「中国文化探索之旅」、「沙龙讲座」、「公益培训」等项目,提供鲜活深入的落地艺术交流服务,建立系统完善的国际文化艺术交流体系, 推动文化创意产业的繁荣发展。