艺术家履历
阿德里亚娜·德尔·杜卡,意大利裔委内瑞拉人,1969年出生于加拉加斯,成长于文化繁荣时期。大都会在艺术和雕塑领域提供了无数的经验,让市民融入一个充满当代作品的环境。艺术的激情是永恒的,艺术是为每个人服务的,最重要的是,它让学生着迷。在加拉加斯天主教大学(Catholic University of Caracas)获得传播学学位后,她搬到了意大利,并在米兰的保罗•格拉希学院(Paolo Grassi school)学习戏剧艺术。1995年,她搬到那不勒斯,致力于戏剧和写作,同时与一家金匠公司合作,在那里她吸收了旨在生产非传统珠宝的创意过程。对30年代和40年代墨西哥珠宝的崇拜使她能够以一种明确的方式把她的创作潜力引导到一条单一的艺术道路上:当代珠宝。2014年,Genos品牌诞生,她成为了设计师。
- 她最近的研究是关于截面、非欧几里得几何形状和程序化艺术在珠宝领域的应用。在透明度(Transparencia)这个实验中,她的研究从有机玻璃和金属开始,我们可以感知精致、创意和视觉效果。在这个过程中,他决定把他的一些概念应用到 Kinetic Paper上,这是一套压制过的硬纸板首饰,其中空间(space)、空虚(emptiness)和运动(movement)是基本的概念。
- 曾获“Envision Arts ONYX”荣誉提名、“Porto Joya 2019年评选奖”、“Collective Collective Meeting Award”2019年三等奖、Biwoux博物馆Casalmaggiore奖(Redefine the 2018 jewel Biwoux Museum Award of Casalmaggiore)
- 作品曾在意大利、瑞士、巴塞罗那、葡萄牙、荷兰、奥地利、西班牙等多地参展
Exhibitions:
- Collective exhibition – Dynamic Circuits – Wunderkammern Project, Milan, 27 May / 13 June 2019
- Collective exhibition – Rossini Gallery, Milan 9 – 2 April 2019
- Collective exhibition – Galerie Caractère Neuchâtel – Switzerland 23 March – 27 April 2019
- Collective exhibition – Lalabeyou Gallery contemporary jewelery Madrid – Spain 30 May – 3 July 2019
- Collective exhibition Context Gallery, San Cugat- Barcelona 2 – 31 October 2019
- Collective exhibition Beeld & Aambeeld, Enschede – Holland, 17 November – 28 December 2019
- Personal exhibition – Porto Collectiva Gallery – Portugal (May, June, July 2019)
- Joya Barcelona – Disseny Hub – October 2019
- Collective exhibition – Venice Jewelry Week – 3 October – 3 November 2019
- Bacht Store exhibition / curated by the AA Collected gallery – Vienna 12 September – 30 November 2019
- Creativity Oggetti, via Carlo Alberto, 40 / f Turin
Awards
- Envision Arts ONYX, honorable mention
- Redefine the 2018 jewel Biwoux Museum Award of Casalmaggiore.
- Collective Collective Meeting Award 2019, third place.
- Porto Joya 2019 selection award
设计说明
1\透明度(TRANSPARENCIA) – 持续运动的形状(shape in constant movement)
Transparencia 是一个从研究转向探究所使用材料的特征形式的行为的系列,由有机玻璃和金属,如钢,铜,青铜,银和黄铜制成。
创作灵感来自于一些与opart和动感艺术(kinetic art)相关的概念,这一系列的形式有无数个版本,这取决于你如何看待它。
闪亮的金属表面像一面镜子,会反射出下一个物体的图像,在视觉上创造出更清晰可见的体量;有机玻璃的透明度让我们可以一瞥并排形状的混响,以周长为特征,并不总是“令人安心”或可识别,而是一块块排列在一条以锐利的方式改变方向的路径上的形状;由于这样的特性,一个连续的装置被创造出来,再一次给人一种体量的视觉。运动因素有助于进一步强调珠宝整体形状不稳定的概念,具有不仅由穿戴者决定,而且由观察者决定的双重效果。通过不断变化的身体动态,给形式赋予一种不稳定的价值。
TRANSPARENCIA – shape in constant movement
Transparencia is a collection that moves from research into the behavior of the characteristic forms of the materials used. The line is made of Plexiglas and metals such as steel, copper, bronze, silver and brass.
The creations are inspired by some concepts related to opart and kinetic art as the set of assembled forms is offered in countless versions depending on how you look at it.
Through the shiny surfaces of metals, the effects reflect the image of what is next, like a mirror, creating a further tangible volume only with the eye. The transparency of the Plexiglas allows to glimpse the reverberation of the shapes side by side and characterized by a perimeter not always “reassuring” or recognizable, but rather shapes whose paths change direction in an incisive way. It is also thanks to these accents that a sequential set-up is created, giving once again the vision of a volume that can be approached thanks to the look rather than the touch. The movement factor helps to further accentuate the concept of instability in the overall shape of the jewel. A double effect arises because the movement is given not only by the wearer but also by the observer. In this way, it gives a value of inconstancy to the forms, therefore bodies in constant change.
2\硬纸板(KINETIC PAPER) 系列
这一系列的珠宝利用了一些与Transparencia 系列共同的方面,即运动和空间。基本的装配方法使我们能够感知什么是恒定的、稳定的、在变化的表面上的、在运动中的。
这个创作过程从采用无色彩倾向的黑白色开始,但最近我开始加入彩色。它也是一个关于空间的空和满研究。这项研究的另一个方面的意义在于是其设计程序。它是光学艺术或程序艺术的特征之一。我打算在我的珠宝设计中进一步开拓这样的设计原则。
KINETIC PAPER collection
This series of jewels exploits some of the aspects experimented through the Transparencia technique, that is, both movement and space. The fundamental assembly method allows to perceive what is constant, steady, on mutable surfaces, that is in movement.
This creative process starts from the adoption of non-color, black and / or white but recently I begin to introduce the colour. It’s also a study about empty and full spaces. Another aspect that emerges from this research is the programming of its design. It is one of the principles that has characterized optical art, or programmed art.
I intend to further develop this principle on jewelry design.