设计师简介
珠宝艺术家李炓宰1976 年出生于韩国首尔，2015年毕业于韩国首尔国民大学Graduate School of Kookmin University研究生院金属工艺与珠宝硕士。作品被台湾新北市Gold Museum收藏。
获奖
2019年入选第10届韩国旗州工艺双年展旗州工艺大赛
2017年入选ITAMI国际工艺大赛_珠宝/ ITAMI，日本
2016年优秀奖，三次游行2016当代艺术展/中国天津
2015年“台湾国际金属工艺大赛”银奖/台湾新北市
“2015国际马兹研究生展”奖，荷兰奈梅亨
2011年入选韩国首尔国际珠宝设计大赛
2019 Selected, The 10th Cheongju Craft Competition, Cheongju Craft Biennale / Cheongju , Korea
2017 Selected, ITAMI International Craft Competition_ Jewelry / Itami, Japan
2016 Honorable mention, Triple Parade 2016 Contemporay Exhibition / Tianjin, China
2015 Silver Prize, ‘Taiwan International Metal Craft Competition’ / New Taipei City, Taiwan
Prize, ‘International Marzee Graduate Show 2015’,/ Nijmegen, Netherlands
2011Selected, International Jewellery Design Competion Real sector / Seoul , Korea
个展Solo exhibitions
2019 Strangre Beauty, 韩国工艺与设计基金会画廊Korea Craft & Design Foundation Gallery /首尔，韩国
YOjaelee妙(myo)画廊Ahwon /首尔,韩国
2017年，揭示陌生和隐藏的美丽，四画廊/哥德堡，瑞典
《揭开神秘与隐藏之美》，第一届个展，画廊坝/首尔，韩国
2019 Strangre Beauty, Korea Craft & Design Foundation Gallery / Seoul , Korea
YOjaelee 妙(myo), Gallery Ahwon / Seoul , Korea
2017 Revealing the Strangeness and Hidden Beauty, Four Gallery / Göteborg, Sweden
Revealing the Strangeness and Hidden Beauty 1st solo exhibition, Gallery Dam / Seoul , Korea
Group exhibitions
2019
SOFA CHICAGO 2019 (O Gallery & Galerie Noel Guyomarc’h), Navy Pier / Chicago, United states
The 10th Cheongju Craft Competition, Cheongju Craft Biennale / Cheongju, Korea
‘Wall Project – Framed, Un framed’, Keep-in Touch Seoul- CraftSpace/ Seoul, Korea
‘Sarangbang‘ Korean Contemporary Jewelry , Galerie Noel Guyomarc’h / Montreal, Canada
SCHMUCK-SCHMOCK, TempContemp / Melbourne, Australia
FRAME 2019 with Korean Craft&Design Foundation / Munich, Germany
2018
‘How are you’ The 29th exhibition of Chohyung Metal Society , Aurum Gallery/ Seoul
The 4th TRIPLE PARADE Biennial, HOW ART Museum / Shanghai, China
ART MINING SEOUL , Dongdaemoon DDP / Seoul , Korea
‘INSECT’, Galeria Alice Floriano / Rio Grande, Brazil
The 4th 2018 LJA Douze exhibition, LeeJungA Gallery / Seoul , Korea
‘The enchanted moment’Korea & Sweden Contemporay jewelry exhibition, NEED21 Gallery / Seoul
Gioielli in Fermento 2018 Exhibition, Villa Braghieri / Piacenza, Italy
‘JEONGYAKYONG RETURN TO HIS HOME’exhibition, Silhak Museum / Kyung-gi , Korea
FRAME 2018 with Galerie Marzee / Munich, Germany
2017 ‘Archipelago’ Exhibition, Gallery Tereza Seabra / Lisbon, Portugal
Beijing International Jewelry Art Biennial 2017, Beijing Institute of fashion Technology /Beijing, China
ITAMI International Jewelry Exhibition, The Museum of Arts and Crafts ITAMI / Itami, Japan
‘Scenery of Object’ Exhibition, Sanwoollim Art &Craft / Seoul , Korea
‘Summer symphony in lark’s heart’ , Art Gallery Putti / Riga, Latvia
作品和设计说明
揭示陌生和隐藏的美丽
在不舒服和消极的情况下，我们倾向于收回我们的目光。
为了掩盖排斥本身，我们用美来拥抱它。
虽然昆虫作为一种熟悉的生物存在，但我们经常忘记这一点。
它的价值只有在用鲜花或珠宝装饰时才得到承认。
我的工作从一个简单的观点开始。
它身体的每一部分都由六条腿、两个触角和皮肤组成……
我想要以它与我的想象同步和融合的方式来表达它。
由于过于具体和明确而产生的不适通过使用夸张的尺寸和独特的纹理来表达。
这不仅是一种震撼和强大的能力，而且显示了强大的力量，从而使它转变为一种超现实主义的形象。
人们看到他们想看到的。
我的作品有可能引起一些观众的不适，也有可能引起另一些观众的迷恋。
无论如何，都要由他们来决定。
当我体验到不同的情绪和反应时，我从他们的角度重新审视我的作品。
Revealing the Strangeness and Hidden Beauty – Yojae Lee
In a circumstance where discomfort and negativity are experienced, we tend to withdraw our gaze.
To conceal repulsion itself, we embrace it with beauty.
Although an insect exists as a familiar being, we often forget about this.
Its value is only acknowledged when drawn with flower or ornamented with jewelry.
My work begins from a straightforward view.
Each and every part of its body consisting of six legs, two feelers and skin…
My desire to express it the way it synchronizes and integrates with my imagination.
The discomfort resulting from being overly specific and explicit is expressed through the use of exaggerated size and unique texture.
This not only comes as a shock and formidability, but also demonstrates intensive power and, thereby, makes a transitioninto a surrealistic image.
People see what they want to see.
It is possible that my work could cause discomfort among some viewers and fascination among some other viewers.
Regardless, it is up to them to decide.
As I experience diverse emotions and reactions, I refreshingly encounter my work from their perspectives.
