设计师简介
Youjin Um,韩国首尔,
2017韩国首尔工业艺术研究生院Graduate School Of Industrial Art Hong-ik University,M.F.A
2001韩国首尔京畿道大学Kyonggi University,B.F.A
Current
Klimt02 Jewelry Member, Hong-ik Metal Formative Association, The 3rd Group of Metalsmith
个展
2018 Hexagonal Kaleidoscope(Um You-jin solo-exhibition) Gallery Ahwon Seoul Korea, Republic of
Group exhibitions
2019 Selected for [Collectiva Meeting ’19] International Exhibition Collectiva Porto Portugal
2019 Seleted for Tincal lab Challenge 2019 l Jewelry and Anatomy Tincal lab Porto Portugal
Art fairs
2019 Selected for [Autor2019] International Contemporary Jewelry Fair AUTOR Contemporary Jewelry National Theatre
Bucharest Romania
2019 Selected Artists and Award Winners at JOYA Barcelona Art Jewellery Fai JOYA Barcelona Disseny HUB Barcelona Spain
2018 Craft Trend Fair KCDF Seoul Korea, Republic of
Awards
2019 [ KOGEI World Competition] in Kanazawa- passed the First judging Round People’s Gallery A at the 21st Century Museum of
Contemporar Kanazawa Japan
2019 Enjoia’t Awards 2019 Selected Artists and Award Winners A-FAD Enjoia’t Disseny HUB Barcelona Spain
作品和设计说明
万花筒里的故事。
记忆就像万花筒。万花筒里装满了美丽的彩色小石子。
我存在于六角形万花筒的世界中,并在其中形成无数的网络。
模式和模式重叠,另一种秩序被建立,因此我们可以考虑稳定、和平和未来。
通过我珍贵的童年记忆,我感到怀旧、舒适、可靠和治愈。
随着时间的流逝,对那些日子的清晰和纯粹的记忆逐渐褪色,身心疲惫,但通过记忆可以获得超越极限的力量,所以童年的记忆似乎是最珍贵的东西得到了解决。
带着这样的想法,我开始把那段记忆放在一个空间里。
我的作品的主要材料,纯银,让我想起我们回归的日子,像一个纯粹的孩子。在我的作品中,锯木的手法是规则和重复的动作,通过一个个耐心和努力的过程,代表着生活中重复动作的结果,是希望。
A story in the kaleidoscope.
Memory is like a kaleidoscope. The kaleidoscope is full of beautiful little colored stones.
I exist in the world of Hexagonal Kaleidoscope and form countless networks in it.
Patterns and patterns overlap, and another order is created so we can think of stability, peace and the future.
I feel nostalgia, comfort, reliability and healing through my precious childhood memories.
As time goes by, clear and pure memories of those days are getting faded, the mind and the body is exhausted, but through memories can gain power beyond their limits, so memories of childhood are the most precious things it seems to be settled.
With this mind, I began to put that memory into one space.
The main material in my work, sterling silver, reminds me of a side of our returning days like a pure child. The technique of sawing used in my work means rules and repetitive action, representing hope as a result of repetitive life actions through the process of patience and effort made one by one.