个人简介
戴毓辰，1994年出生于中国四川，
教育经历：
2012 – 2016，中央美术学院，艺术珠宝系，师从滕飞教授；
2018，阿姆斯特丹Gerrit Rietveld Academie，Sonja Baumel；
2016 – 2019，爱沙尼亚Estonian艺术学院，Tanel Veenre；
AWARDS
2019 MISUI AWARD 2019, Barcelona, SP
2019 ENJOIA’T Awards Second Finalist, Barcelona, SP
2019 Cum Laude of graduation, Estonian Academy of Arts, EE
2018 Amberif Design Award – Finalist, Gdansk, PL
2016 Top Young 2016 – Finalist, Ubi Gallery, Beijing, CN 2016 The Second Prize of Graduation, CAFA, Beijing, CN
EXHIBITION（2019）
BODY CONTROL, De Kerk powered by Museum Arnhem, Arnhem ENJOIA’T Awards 2019, Barcelona
XII Florence Biennale 2019, Florence
NUDA VITA, Artesania Catalunya Carrer dels Banys Nous, Joya Barcelona Marzee International Graduate Show 2019, Galerie Marzee, Nijmegen Précieux !?, Alliages, Lille
Non-Stick Nostalgia: Y2K Retrofuturism in Contemporary Jewelry, MAD | Museum of Arts and Design, New York
NUDA VITA The practice of collective and political body, ABC Westside Galerie, Munich NUDE JADE, A-galerii, Tallinn
Precious?, Column Bakehouse Gallery, UK
Ek-kinesis, Ilias Lalaounis Jewelry Museum, Athens Jewelry Week Précieux !?, Alliages, Lille
设计说明
Soul Mating系列是一种对欲望和自然的深入探索。作品关注的是这两个方面的模糊性。
作品中的情色形式是一种自觉的忏悔。除了模仿自然，形状是由复杂的机器和长时间的手工雕刻形成的，动作被密封在每个曲线中。
The erotic forms of the work served as a self-conscious confession. Beyond imitating nature, shapes are formed with intricated machines and long hours of hand carving, movements were sealed within each curves.
Soul Mating崇尚欲望和变异的不受过滤的感觉，以及灵魂之间深刻的相互敏感。
作为灵魂和欲望的有趣而模糊的容器，最后的作品呈现了混合性欲的另一种版本。
As playful and ambiguous vessel for soul and desire, the final works presents an alternative version of hybrid erotism.
Soul Mating II, 2017
Zebra Wood, Rose Wood, Acrylic, Silver, Rubber
craving, metalsmithing 25cm*9cm*9cm 220g
Soul Mating I, 2017
Jade, Wenge Wood, Acrylic, Silver, Rubber
craving, metalsmithing 26cm*9cm*9cm 215.75g
Soul Mating XI, 2017
Buffalo Horn, Acrylic, Zebra Wood, Silver,
Rubber
craving, metalsmithing 25cm*12cm*12cm 210g
