个人简介
Born 14.3.1955 in Helsinki, works and lives in Porvoo, Finland
从2000年起，开始学习和从事珠宝
教育背景
2000-03芬兰波尔沃工艺美术学院当代珠宝与雕塑系视觉表达职业资格。 老师：Kaarin Bonde Jensen和EijaMäkelä
学习：银匠培训，金匠ValtteriHonkapää，芬兰，波尔沃，奥姆鲁姆2002芬兰雕塑家索菲亚·萨里（Sofia Saari）和海伦娜·希塔宁（Helena Hietanen）的助手
从业经历
2003-12 芬兰波尔沃当代珠宝与雕塑系Ostra Nyland职业教育学院的老师
个人展览
2013 A NEW CHANCE, En ny chans – Uusi tilaisuus; 现代首饰Contemporary jewellery, Gallery GalleRian, Ilola, Porvoo, Finland
双人展 DUO EXHIBITION
2015 Räisänen – Wickström, PLAYGROUND, Picture and Jewellery, Gallery Vanha Kappalaisentalo, Porvoo, Finland
即将举行的展
2020 Heimo-Elonen – Wickström – Åberg , Gallery Colmio, Porvoo, Finland
JURIED GROUP EXHIBITIONS
| 2019 | CONTROLS/CTRL+S, Budapest Art Jewelry Night 2019, Hungary |
| 2019 | WEARING CHANGE 2019 by NOD, Not Only Decoration, Villa Bengel, Idar-Oberstein, Germany |
| 2019 | AJW2019, Athens Jewelry Week, Benaki Museum, Greece |
| 2019 | HOLOWNIA SILVER, The Legnica Festival of Silver 2019, Legnica, Poland |
| 2019 | ADA Amberif Design Award 2019, Fair Catalogue, Gdańsk, Poland |
| 2018 | CAMERA LUCIDA, Assamblage, The Romanian National Contemporary Jewelry Association, BOZAR, |
| Brussels, Belgium and the United Nations Headquarters, New York, USA | |
| 2018 | ON FULL VOLUME by NOD, Not Only Decoration, Alliages, Lille, France |
| 2018 | PRIVATE TIME AND SOCIAL INTERACTION, Gioielli in Feremento International Contemporary Studio |
| Jewelry Award, Villa Braghieri, Castel San Giovanni, Piacenza, Italy and Filatoio di Caraglio, Cuneo, Italy | |
| and Art Gallery Putti, Riga, Latvia | |
| 2018 | ON FULL VOLUME by NOD, Not Only Decoration, Gallery Cbijoux Sàrl, Monthey, Switzerland |
| 2017 | CAMERA LUCIDA, Assamblage, The Romanian National Contemporary Jewelry Association, Bucharest, |
| Romania | |
| 2017 | FINANCIAL STATEMENTS, Gallery Jänis, Turku, Finland |
| 2017 | NOT ONLY AN EXHIBITION by NOD, Not Only Decoration, Gallery Alja&Friends, Vienna, Austria |
| 2017 | BEWARE OF ANIMALS ON THE MOVE!, Gallery Jänis, Turku, Finland |
| 2017 | INDEPENDENT Finland-Lithuania, Jewellery-Koruja-Smycken, Gallery Colmio, Porvoo, Finland |
| 2017 | HOLOWNIA IDENTITY, The Legnica Festival of Silver 2017, Legnica, Poland |
作品和设计说明
我对成长和进化的思考是在全球社会层面上的。
我的三件首饰唤起了常识。它们都与生长和进化有关。这条名为“海洋的眼泪”的项链讲述了我们的海洋日益严重的问题，海洋被塑料污染了。两个戒指，“金餐”和“金蛋”，指出了贫富差距的扩大。似乎整个世界都靠赊欠过日子。我认为现在是时候偿还了，否则我们的星球将资源破产，暴力升级为无法解决的混乱。
My reflection on growth and evolution is on a global social level.
My three pieces of jewellery invoke the common sense. All of them are related to growth and evolution. The necklace “Tears of the Oceans” tells about the growing problem of our oceans, which are polluted with plastic. The two rings, “The Golden Meal” and “The Golden Egg”, are pointing out the growing cleft between rich and poor. It seems the whole world is living on credit. I think now is the time to pay back before our planet will be bankrupt of resources and the violence will escalate to insoluble chaos.
海洋之泪 TEARS OF THE OCEANS, 2019
项链, 270 x 270 x 7mm, 22g,
重复使用的塑料，琥珀色，银色，塑料管，金属丝滴眼液移液器
海洋感觉不舒服。 海洋在哭。 我们习惯于将自然界中的物品封装在琥珀中。 琥珀在我的项链中被锁在塑料中，就像海洋在遭受塑料的折磨一样。
Reused eye-drop-pipettes of plastic, amber, silver, plastic tube, wire
The oceans are not feeling well. The oceans are crying. We are used to see items from nature encapsulated in amber. In my necklace the amber is locked in plastic like the oceans are suffering from plastic.
黄金餐, 2008/2019
戒指, 100 x 25 x 40 mm, 24 g
Elk dropping, silver, gold, 24k gold leaf
麋鹿掉落，银，金，24k金箔
黄金餐就是食物，当它成为只有我们社会的美食精英才能享受的奢侈时。
金蛋，2019年
环，55 x 45 x 50毫米，33克
蛋壳，银，硬币，环氧“钢水”，22-24k金箔
We human are looking for more and more. Everything must be so big, great, amazing and
stunning. The profit has to be redoubled many times. When are we saturated, content and
satisfied? When are we happy?
