1995 年⽣于中国河北
教育经历：
2017–2019 奥斯陆国家艺术学院 媒介与材料艺术 MFA 珠宝⽅向
MFA in medium- and material-based art, Oslo National Academy of the Arts 导师是 Ingjerd Hanevold 和 Jorge Manilla
2016–2017 安特卫普皇家艺术学院 珠宝设计与⾦银器 进修
Royal Academy of Fine Arts，Antwerp Belgium, Jewellery Design and Gold and silversmithing
2012–2016 ⼭东⼯艺美术学院 ⾸饰设计
2017– 出版项⺫ Jan Van Eyck Academie, 荷兰
⼯作经历：
2019 – 景德镇陶瓷⼤学⾸饰系 教师
2018 – 独⽴品牌“Mervsun”
2018 – 北欧华⼈通讯杂志社 Nordic Chinese Communication 平⾯设计2016 – 2017 A’iamond Jewellery, 兼职设计师
⼤型展览经历：
2019 – 北京国际⾸饰艺术展，北京
2019 –“复⽣”2019 年⾸饰可持续艺术设计展，北京
2018 – 10th JOYA 2018 Barcelona Art Jewellery & Objects（⻄班⽛规模最
⼤，欧洲规模第⼆⼤的⾸饰盛世。）
2018 – Open Call Vol:4 at KHiO, Oslo, Norway
2018 – IN DA HOUSE, Athens Jewelry Week, Athens, Greece（雅典⾸饰周）
2018 – WIP, Melting point, Valencia, Spain（当代珠宝三年展）
2018 – MA1-show: Sit on a stone rather than a pillow, KHiO, Oslo, Norway
2018 – 四⼈展 Suddenly it became very real, Gallery Seilduken 1, Oslo,
Norway
2017 – Open Call Vol:3 at KHiO, Oslo, Norway
奖项与奖学⾦：
2018 – 作品《Blue》系列⼊围 10th JOYA 2018 Barcelona Art Jewellery & Objects，录⼊ Joya 年鉴。
2018 –国家留学基⾦委艺术留学专项，获得全年⽣活费奖学⾦（共 300 ⼈）
2017–2018 ⼊选两次 KHiO Open Call
2016 – 本科毕设《探索》⼊围靳埭强设计奖
2016 – 优秀毕业作品
2013 – 平⾯作品《在哪》⼊围靳埭强设计奖
涉及的领域：
基础⾦⼯（连续学习 5 年的⾦属和当代⾸饰⽅向。掌握了基础⾦⼯课程，⾦属表⾯腐蚀、做旧，珐琅，失蜡铸造/沙铸造等）
阳极氧化钛
阳极氧化铝（可以教学）
漆艺（本科时期系统地学过⼀遍）
综合材料课程（我的研究⽣专业是重点培养学⽣的个⼈艺术实践的能⼒。强调艺术创作中对媒介和材料的创新。激发艺术和⼯艺领域的实践和跨学科的创 作。因此我会对材料⽐较敏感）
平⾯设计，出版（杂志社⼯作经历，有⾃⼰的独⽴出版物） 展览实践
艺术评论
⾦属⼯作室维护
学过⽊⼯和⽯膏⼯作坊
从 2019 年 8 ⽉开始在景德镇研究陶瓷材料在⾸饰设计中的运⽤
作品和设计说明
Title: a comfortable…
Type: Magnet brooch (no brooch back, piece has a magnet inside and needs to be wear with another magnet on the inside of the garment)
Materials: recycled fibers, acrylic dispersion (I invented waterproof artificial leather), wax thread, magnet
Size: 10 pieces. Within 15cm2 per piece
My work This is not only a material development process, also a process of exploring the artistic language of the self.
And I found a way to visualize my abstract feelings. It’s like the process of exploring my personal feelings and abstract elements in the subconscious through my daily collection and painting behaviors and visualizing them. This process is enjoyable, I developed an artificial leather, and its raw material is acrylic dispersion. I use this material instead of natural leather to sew jewellery and objects, and most of their shapes come from common soft things in life that are related to relaxation. The pattern on their surface comes from my subconscious. Looking for and developing materials on the premise of environmental protection and exploring their possibilities in the art direction.
