设计师简介
INES REYNOSO出生于乌拉圭的蒙得维的亚。
在2001年获得ORT技术学院的平面设计师学位后，她移居智利，参加珠宝和其他技术研究。
如墨鱼的日本漆器和铸件，Mokume Gane和Keum Boo，石器，蜡微造型，玻璃搪瓷，珠宝机制，古董造粒技术，瓷器，金银丝和失蜡铸件，以及各种国际知名艺术家。
Ines在2009年启动了一个名为“ Raggo，Correa和Reynoso珠宝当代学校”的新项目。
2013年，她成立了自己的珠宝和金属工作室IRO Studio。 Inés继续与Rafael Alvarez（阿根廷），Carolina Gimeno（智利-瑞典）和Mia Maljojoki（芬兰）等珠宝商一起教学和组织研讨会，以期为她的学生和同事提供与外国艺术家的培训经验。
她以珠宝艺术家的身份积极参加国内外的展览。
INES REYNOSO was born in Montevideo, Uruguay.
After a Graphic Designer degree at ORT Technology Institute in 2001, she moved to Chile to attend her studies in jewelry and other techniques
such as Japanese lacquer and casting in cuttlefish, Mokume Gane and Keum Boo, stone setting, wax micro modeling, vitreous enamel, jewelry mechanisms, antiques granulation techniques, porcelain, filigree and lost-wax casting, with various international renowned artists.
Ines commenced a new project in 2009 called “Contemporary School of Jewelry Raggo, Correa and Reynoso”
In 2013 she set up her own jewelry and metals studio called IRO Studio. Inés continues teaching and organizing workshops with jewelers such as Rafael Alvarez (Argentina), Carolina Gimeno (Chile-Sweden) and Mia Maljojoki (Finland) with the idea of offering her students and colleagues training experiences with foreign artists.
She is actively participating in exhibitions, nationally and internationally, as a jewelry artist.
设计说明
我使看不见的东西可见。
我们许多人选择忽略的人为气候变化威胁着地球上每个物种的生存。
突出人类生活的这一方面可能有助于修补断开的联系，或恢复失去的了解，这些使我们与自己的星球发生碰撞。
艺术家具有塑造气候交流，解决方案和参与度的能力。 我们可以利用我们独特的技能来治愈社区，应对复杂的挑战，甚至创造创新的答案。
我处理过从自然界中收集的材料：木头，蜂窝，日本漆（从树汁中提取）和蛋壳。
I make the invisible visible.
Human-induced climate change, which many of us choose to ignore, threatens the survival of every species on Earth.
Highlighting this aspect of human life could help to mend the broken connections, or restore the lost understandings, that have put us on a collision course with our own home planet.
Artists have the capacity to shape climate communications, solutions and engagement. We can use our unique skill sets to heal communities, tackle complex challenges and even create innovative answers.
I´ve worked with materials collected from nature: wood, honeycomb, Japanese lacquer (from the sap of a tree) and eggshell.
